La Luna (1979) is not for the faint of heart, offering a raw, psychological dive into the dysfunction of a mother and son. However, it is an essential watch for those interested in the artistic risk-taking of 1970s cinema and the directorial vision of Bernardo Bertolucci.
The narrative follows Caterina Silveri (played by Jill Clayburgh), an American opera singer living in Brooklyn. Following the sudden and shocking death of her husband, Caterina decides to move to Italy to pursue her demanding opera career. She takes her troubled 15-year-old son, Joe (Matthew Barry), along with her. la luna 1979 movie okru
La Luna is not an easy watch, but for those interested in the artistic peak of auteur cinema in the late 1970s, it is an essential and unforgettable work. Its combination of Bertolucci's direction, Storaro's cinematography, Morricone's score, and Clayburgh's fearless performance creates a singular, powerful, and haunting experience. La Luna (1979) is not for the faint
(Matthew Barry). While in Rome, Caterina is horrified to discover that Joe has developed a severe heroin addiction. Following the sudden and shocking death of her
The cinematography in "La Luna" is marked by a dreamlike quality, with long takes and sweeping camera movements that capture the villa's beauty and isolation. The film's use of color is also striking, with a muted palette that reflects the characters' emotional states. The cinematographer, Vittorio Storelli, employs a lyrical and expressive style, often framing the characters in relation to their surroundings.