David Irving - Hitler----s War-la Guerra De Hitler -castellano-.pdf | CERTIFIED |
(originalmente Hitler’s War ), escrita por el polémico autor británico David Irving , es una de las obras más controvertidas de la historiografía de la Segunda Guerra Mundial. Publicada originalmente en inglés en 1977 y traducida al castellano en 1980 por la editorial Planeta , la obra pretende narrar el conflicto estrictamente desde la perspectiva de Adolf Hitler, utilizando documentos primarios y diarios de su círculo íntimo. Contexto y Perspectiva de la Obra
Irving attempts to rehabilitate the image of Adolf Hitler by portraying him not as the architect of the apocalypse, but as a moderate, harried statesman constantly trying to prevent war, and later, constantly betrayed by his incompetent generals. Irving’s Hitler is a tragic figure—a man who wanted to build Germany up, but was forced into conflict by the aggressive Allies and the machinations of his own underlings. (originalmente Hitler’s War ), escrita por el polémico
The search term "-castellano-.pdf" directs the user to the Spanish-language translation of this infamous work. The book was published in Spain under the title La guerra de Hitler . It has seen multiple editions and formats since its first Spanish publication, reflecting its enduring, if controversial, presence in the Spanish-speaking market. Irving’s Hitler is a tragic figure—a man who
Contrary to the image of an all-powerful tyrant, Irving portrays Hitler as a relatively "weak" leader who was often manipulated by his staff and was more concerned with military strategy than domestic atrocities. It has seen multiple editions and formats since
: In 2000, Irving lost a landmark libel case against historian Deborah Lipstadt and Penguin Books .
A "feature" for David Irving's controversial work (Spanish title: "La guerra de Hitler" ) highlights a book that attempted to redefine the narrative of World War II by focusing exclusively on Adolf Hitler's personal perspective. While initially praised for its use of newly unearthed primary documents, it is now widely discredited by mainstream historians as a work of historical negationism and apologia. Core Premise and Narrative Technique