Noah Baumbach’s Marriage Story , while centering on divorce, subtly highlights the exhausting architecture required to build a functioning post-divorce family unit. Cinema now reflects the exhausting reality of Google Calendars, tense driveway handoffs, and the unspoken competition between households.
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The 1961 version of The Parent Trap remains the ur-text for this trope, albeit from a classic Hollywood perspective. In the film, the twin girls orchestrate an elaborate scheme to force their divorced parents back together. While charming, the fantasy is problematic. As one critic noted, the film presents "the worst kind of fantasy for children: a beautiful, dreamlike answer to heartbreak that could almost never happen in real life". It places the burden of family repair on the children, implying that if kids just try hard enough, they can fix the fractures of the adult world. Noah Baumbach’s Marriage Story , while centering on