The VI Suite allows you to "wet" or "dry" the rear channels. For intimate acoustic music, keep the surrounds subtle. For live recordings or action-heavy soundtracks, dial them up for full immersion. Final Thoughts
| Parameter | Detail | |-----------|--------| | | Stereo WAV, AIFF, FLAC, MP3 (up to 384 kHz / 32-bit float) | | Output | 5.1 WAV (interleaved or discrete), ADM BWF, MP4 Surround | | Latency | Zero-latency in live mode; 1024 samples in HSA mode | | Processing | 64-bit double-precision internal path | | Mono Compatibility | User-variable correlation meter; fold-down to mono with <0.5 dB cancellation | | Surround Formats | ITU 5.1 (L/R/C/LFE/Ls/Rs), Film (L/C/R/Ls/Rs/LFE) | | AAX / AU / VST3 | Yes (macOS 10.15+, Windows 10/11) | | Standalone App | Included (batch processing, watch folders) | vi stereo to 51 converter suite exclusive
For those unable to find the original software, it is often discussed and shared in community archives like Doom9's Forum for upmixing, such as the Waves UM226 Penteo Pro The VI Suite allows you to "wet" or "dry" the rear channels
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