This paper explores why audiences elevate certain non-canon or peripheral romantic relationships as having “extra quality” — a perceived surplus of emotional authenticity, thematic depth, or narrative justice compared to official storylines. Drawing on parasocial relationship theory and narrative transportation, I argue that extra-quality relationships function as corrective imaginaries, allowing audiences to resolve perceived failures in mainstream romantic plotting.
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When broken down, the term functions as an artificial construct designed to capture accidental or algorithmic web traffic: This paper explores why audiences elevate certain non-canon
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